A work in constant progress (and occasional regress).
Release Date:
July 26, 2024
Original Title:
אמא פריים טיים
Genres:
Drama
Production Companies:
DonkeyShot Film Productions
Newman Media Productions
Perla the Creator Productions
Production Countries:
Israel
Ratings / Certifications:
IL: All
Runtime: 40
"PRIME TIME MOM", courageously attempts to answer the question: What would happen if a member of parliament's son were kidnapped to Gaza during the events of October 7th? The film follows Gur (played by Evyatar Ozari), the son of Knesset Member Dafni Gut (played by Orna Banai) and a senior news editor, who is forced to choose between his career and his disintegrating family. He must conceal the fact that his brother has been kidnapped to Gaza, while his mother uses unethical means to rescue him. Meanwhile, the 24 News' CEO, Ofer (played by Shahar Hasson), begins to suspect that she is hiding something from the public. The film, which was written by Matanel Gotlib, real-life son of a Knesset Member Tally Gotlib, and a real-life news director, offers a unique perspective on family and politics as never before seen, as well as on the world of media.
Assistant Director:
Matanel Gotlib
Assistant Director of Photography:
Elidor Strassler
Cinematography:
Nadav Porat-Chomsky
Offek Hasid
Compositor:
Sharon Farber
Costume Supervisor:
Maria Yakhnin
Director:
Alon Newman
Dresser:
Maria Yakhnin
Editor:
Matanel Gotlib
Effects Supervisor:
Guy Ekstien
Executive Producer:
Matanel Gotlib
Focus Puller:
Yuval Sharon
Graphic Designer:
Yula Yankilevits
Grip:
Uri Huigerber
Makeup & Hair:
Roni Dahan
Makeup & Hair Assistant:
Gili Avigdori
Production Assistant:
Ofek Mazor
Gal Shay
Rotem Ohana
Script Supervisor:
Tomer Carmeli
Second Unit Cinematographer:
Idan Cohen
Theme Song Performance:
Liam Chacmon
Writer:
Matanel Gotlib
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.