A work in constant progress (and occasional regress).
Release Date:
October 29, 2009
Original Title:
Hughesovka - Briefe aus dem wilden Feld
Genres:
Documentary
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 84
In 1929, Dziga Vertov shot the revolutionary film “Donbass Symphony”. Churches are destroyed amid applause, crosses and domes toppled, icons burned. Flags are hoisted. High-voltage pylons instead of crosses, coal mines, steelworks, dynamically assembled. The new faith is directed at the visible and is ingeniously and passionately established with all the means of the new art of film. It is the first Soviet sound film, a masterpiece and a classic. But the Donbass, the much-sung Soviet myth, is a British creation, namely that of the Welshman John Hughes, who arrived in 1870 with over 100 British engineers and a concession from the Tsar, developed the coal deposits and built up the steel industry in the Donetsk Basin.
Cinematography:
Carsten Krüger
Co-Producer:
Viola Stephan
Elke Baur
Director:
Viola Stephan
Editor:
Karin Jacobs
Music:
Masha Khotimsky
Producer:
Sergej Khotimski
Oksana Medved
Elena Kolomijcenko
Sound:
Viktor Smirnoff
Special Effects:
Constantin Stephan
Writer:
Viola Stephan
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.