A work in constant progress (and occasional regress).
Release Date:
July 22, 1962
Original Title:
La paga
Production Companies:
Cinemateca Distrital
Fundación Patrimonio Fílmico Colombiano
Maleza Cine
Productores Asociados S.A.
Production Countries:
Colombia | Venezuela
Ratings / Certifications:
N/A
Runtime: 62
In the Colombian-Venezuelan Andes, a peasant works the land under exploitative conditions to ensure the survival of his family. His son is ill, his wife is pregnant, and he himself reproduces the violence that surrounds him. With no money for medical treatment, one night he gets drunk and is arrested. In jail, in a burst of fury, he rebels against the town's political boss in the only way he can. La Paga was a pioneering work of social and political cinema in Latin America, released the same year as Barravento, Glauber Rocha’s debut feature, and anticipating movements such as Third Cinema. Influenced by Italian Neorealism and Soviet cinema in its aesthetics, forms, and ideological approach, the film uses the archetypal representation of characters and the social and economic forces they embody. Based on the director’s childhood observations in his hometown, La Paga denounces the exploitation of the rural peasantry.
Assistant Director:
Teodoro Pérez Peralta
Digital Producer:
Vladimir Durán
Joyce Ventura
Clara Massot
Director:
Ciro Durán
Director of Photography:
Raúl Delgado Millán
Editor:
José Garrido Cruz
Producer:
Marina Gil
Script Supervisor:
Marina Gil
Sound:
Antonio Graciani hijo
Writer:
Ciro Durán
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.