A work in constant progress (and occasional regress).
Release Date:
March 10, 2023
Original Title:
La canción del pantano
Alternate Titles:
The Lake Song
Genres:
Crime | Drama | Fantasy | Horror | Romance | Thriller
Production Companies:
Afibroma "No somos invisibles"
Antonio Eloy Escuela Profesional
Francisco Campos
Grupo Fruitslachica
Hipólita Cano
Junta de Andalucía
Marc Domínguez
Málaga FilmOffice
Salvador Ruíz
SchoolTraining
Setolite
Subaquatic
Universidad de Málaga
Wanderer Vintage
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 23
During one of her regular trips to the lake, Irene meets Nereia, the mysterious daughter of the engineer who rebuilt the dam. For some strange reason, her father keeps her isolated in the residence he built on the banks of the lake, so she has never been able to interact with other people. In an attempt to give her back the youth she has been denied, Irene invites Nereia to join her group of friends. It will be then when they discover that playing with the unknown can have a very high price.
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Art Direction:
Elena Foras
Assistant Art Director:
Sergio Rodríguez
Assistant Camera:
Sara Fresneda
Assistant Makeup Artist:
Daray Anaya
Zaira Alcantarilla
Best Boy Electric:
Pintu
Boom Operator:
Paco Gimenez Molina
Raquel Corbacho
Camera Operator:
Beatriz Delgado
Casting:
Ana Delos
Cinematography:
Beatriz Delgado
Color Grading:
Beatriz Delgado
Costume Supervisor:
Emilio Núñez
Director:
Juan Pedro Vera
Editor:
Laura Ogalla
Beatriz Delgado
Electrician:
Jose Manuel Medina
Adrián García
Mimi Morrez
Adrián Verdú Sánchez
Executive Producer:
Elena Villén Cano
Juan Pedro Vera
First Assistant Camera:
Laura Cordones
First Assistant Director:
Sofía Vilaret
Gaffer:
Javier Flores
Grip:
Karishma Ramchandani
Hair Assistant:
Daniel Elena
Mario Leiva
Hair Department Head:
Daniela Vera
Head of Production:
Lidia Mena
Makeup Department Head:
Annia Galeote
Music:
Sergio Gómez
Producer:
Elena Villén Cano
Production Assistant:
Ainhoa Lorente
Francisco J. López Flores
Pablo Torres
Sameer Teckchandani Ortiz
Production Director:
Elena Villén Cano
Production Sound Mixer:
Fran C. Érzuri
Script:
Migue Mortez
Second Assistant Camera:
Bruno Campos
Rocio Sanchez
Sound Post Production Coordinator:
Paco Gimenez Molina
Still Photographer:
Lucía Machuca
Paula Anggel
Thanks:
Agustín Gómez
Juan Vera
Claudia Martínez
Laura González
Kevin Pérez
Manuel Villén
Estefanía Herrera
Federico Miranda
Juan Vera
Ana Villén Izquierdo
Familia Villén Cano
Luis Castro Martínez
Yolanda Romero
Lidia Mena
Antonio C.
Mercedes H.
David Armengol
Emilio Núñez
Antonia Pérez Ocaña
Lucía Delgado
Paqui Cano Pérez
Miguel Vera Toledo
Pablo López de Coca Serrano
Cristina
José Rodríguez
Sifu Juan Fuentes
M. del Carmen Sabastro
María Gómez Gómez
Ana Ureña
José Román
Juan Manuel Vergara Alba
Paula Bautista
Mari Vera
Plini
Anver
Ana de los Santos
Lykaia
Carlos Gustavo Ruíz Marín
Sergio Rodríguez
Juan M. de los Santos
Familia Ruíz
M. del Carmen Aranda Torres
Elena Foras
María Ureña
David Marín
Francisco J. López Flores
Luisa Jiménez
Sonia Villar
Gloria María Romero
Joan Boix
Andrea Leiva Núñez
Isabel Ortega
Antonio
Inma
Marc Domínguez
Carlos Jiménez García
María Ortega
Mario Leiva
Yolanda Flores
Cruz Ruíz
Leonardo Torre
Cristiimuñoz
Nieves Torres Gómez
Janire Varela Eguiguren
Blanca R.
Juan Soto
Juanma Morales
Samuse99
Migue Manzano
Ana Mary Ruiz
Abraham Domínguez
Lauri
Santi
La Cloti
Pablo Serrano
Lucía Machuca
Abril
Rafael Saavedra
Lucía Merino Sánchez
Verónica Expósito Cano
Eladio
Juan Manuel de los Santos
Carlota
Pepi Jiménez
Mariña Casal
Paula Infantes
Carmen Merino
Candela Pernas
Pablo Torres Rodríguez
Patricia
Ismael Cobos
Bruno Campos
Uxía Soneira
Adriana Cura
Aroa Ibánez
Tomás Martín
Diego Solé
Salvador Castey
Cristian
Andrea
Merce Martín
José Ángel Sánchez Martos
Lourdes Valcárcel
Nacho
Raquel Corbacho
Nerea Domínguez
Ana López Infante
Ainhoa Lorente
Marta Heredia Crespillo
Underwater Camera:
Daniel Díaz
Underwater Stills Photographer:
Beatriz Delgado
Video Assist Operator:
Karishma Ramchandani
Writer:
Juan Pedro Vera
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.