A work in constant progress (and occasional regress).
Release Date:
November 14, 2024
Original Title:
A Reason for the Season
Genres:
Romance | TV Movie
Production Companies:
BRB Pictures
Hallmark Media
MarVista Entertainment
Production Countries:
Canada | United States of America
Ratings / Certifications:
N/A
Runtime: 84
In order to earn her trust fund, Evie is tasked with granting Christmas wishes to the people who saved her life on the night of her birth. To aid in her cause, she employs Kyle, a handsome local attorney, to track down those who helped and attempts to secretly learn what they might want while maintaining her anonymity. With Christmas fast approaching, the heiress and the attorney can't resist falling for each other's charms as they ramp up their gift giving efforts. But as time ticks down, will she be able to accomplish the mission and grant all of the wishes by Christmas Eve?
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"A" Camera Operator:
Graham Talbot
Nelson Talbot
Assistant Costume Designer:
Judy Csatho
Casting:
Tatiana Erasme
Liz Lewis
Errin Lally
Annalese Tilling
Co-Executive Producer:
Jason Bourque
Costume Design:
Oneil Drummond
Digital Imaging Technician:
Jason Kwan
Director:
Jason Bourque
Director of Photography:
Graham Talbot
Nelson Talbot
Editor:
Saeed Vahidi
Executive Producer:
Jenni Baynham
Kristofer McNeeley
Fernando Szew
Chaya Ransen
First Assistant Director:
Mimi Crowe
Gaffer:
Justin Uitto
Ryan Nelms
Key Grip:
Connor Thorpe
Key Hair Stylist:
Angela Ohana
Key Makeup Artist:
Trudy Parisien
Line Producer:
Ashley Glover
Music:
Chris Ainscough
Producer:
Marc Petey
Production Design:
Ali Tavasoli
Second Assistant Director:
Eddy Hardy
Set Decoration:
Cory Warren
Stunt Coordinator:
Colin Decker
Writer:
Brook Durham
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.