A work in constant progress (and occasional regress).
Release Date:
July 8, 1965
Original Title:
Enantiomorphic Chambers
Ratings / Certifications:
N/A
Runtime: 23
n 1964 Robert Smithson made a sculpture called Enantiomorphic Chambers that cleverly exploited our two-eyed nature to haunting metaphysical ends. Stepping between the two chambers, the viewer sees his or her image cancelled out by precisely coordinated mirrors, accomplishing Smithson’s task of “eliminating the consciousness that regulates binary vision.” Curators Kevin Regan and Christopher Howard have teamed up to turn NURTUREart Gallery into an entantiomorphic chamber of their own devising, though with a rather different aesthetic than Smithson’s. Noticing a simple iconographic trend in which a number of contemporary practices make use of reflected images, Regan and Howard have turned this underrecognized phenomenon into a full-scale metaphysical research project, complete with its own blog to document ongoing discoveries.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.