A work in constant progress (and occasional regress).
Original Title:
Touch of Recession
Production Companies:
cinema-luz
Ratings / Certifications:
N/A
Runtime: 7
A movement film comprised of three acts, where each dancer choreographs a piece dedicated to a part of their body that they’ve neglected or overlooked. The title 'Touch of Recession’ interprets the Portuguese translation of the word 'curfew' (toque de recolher). The text in the film studies the embodiment of restriction, regulation, and impediment. The visual language is crafted from hand-processed super 8 black & white film, and the score features a modular synth composition by Kari Watson, performed in a quadraphonic speaker array at the Bond Chapel in Chicago, Illinois.
Choreographer:
Haley Dennis
Kristen Bernier
Director:
Lua Borges
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.