A work in constant progress (and occasional regress).
Release Date:
October 15, 2024
Original Title:
Prześwit
Genres:
Thriller
Production Companies:
No Prob Production House
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 81
A young mother disappears on the slopes of the sacred Ślęża mountain, leaving behind a pushchair with her baby. A police officer, a young husband and a retired clairvoyant try to reconstruct the last moments before she vanished. A female police officer with a personal childhood connection to Mount Ślęża stands in for the missing wife.
Accountant:
Joanna Brzezińska
Robert Sobiecki
Additional Photography:
Nicolás Villegas
Administration:
Wiktoria Pocheć
Assistant Makeup Artist:
Kenaya Huanca-Villan
Assistant Production Manager:
Agnieszka Gryżewska
Camera Operator:
Mateusz Czuchnowski
Casting:
Marta Kownacka
Sylwia Wojdecka
Catering:
Paulina Rak
Choreographer:
Aneta Jankowska
Costume Design:
Małgorzata Fudala
Dialogue Editor:
Katarzyna Kowalczyk
Digital Intermediate:
Łukasz Sylwester
Director:
Magdalena Pięta
Director of Photography:
Mateusz Czuchnowski
Szymon Kluz
Editor:
Michał Buczek
Editorial Consultant:
Alan Zejer
Jakub Darewski
Kosma Kowalczyk
Foley:
Daria Byszko
Natalia Malka
Grip:
Igor Słupecki
Makeup Artist:
Agnieszka Nikisz
Music Consultant:
Agnieszka Putkiewicz
Original Music Composer:
Bart Putkiewicz
Aleksandra Chmielewska
Post Production Coordinator:
Anna Ziółkowska
Producer:
Maria Wachowiak-Czuchnowska
Production Manager:
Patryk Walkiewicz
Props:
Rafał Rusin
Set Designer:
Maria Dziewanowska-Kowalska
Sound Designer:
Bart Putkiewicz
Still Photographer:
Katarzyna Ewa Żak
Stunt Coordinator:
Tomasz Lewandowski
Paweł Jabłoński
Translator:
Jakub Stelmaszczuk
Agnieszka Wąsowska-Telęga
VFX Artist:
Vladimir Tarasiuk
Dominik Kosik
Marek Smereczyński
Mariusz Dąbrowski
Davyd Tamozhnii
Marek Lechowicz
Marcin Bielenin
VFX Supervisor:
Dominik Kosik
Visual Effects:
Marta Bródka
Mateusz Budnik
Monika Jakutowicz
Visual Effects Coordinator:
Lia Gortatowska
Visual Effects Producer:
Aleksander Cebula
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.