A work in constant progress (and occasional regress).
Original Title:
Les étoiles filantes
Genres:
Drama | Science Fiction
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 39
In an alternative Quebec, private clinics offer partial brainwashing treatment to remedy post-traumatic shock. Charlotte Roy, a young woman who lost a loved one in a work accident, meets Doctor Dufour to make an appointment to receive this treatment, 24 hours later. She hides it as best she can from her loved ones, who are beginning to worry about her. Between the suspicions of her friend Sarah, the insistence of her mother and her own doubts, Charlotte navigates through these final hours which, she hopes, will be the last of a long year of suffering.
Boom Operator:
Shaymaa Kassem
Camera Operator:
Romain Defoy Rivest
Casting:
Catherine-Audrey Volcy
Annabelle Laganière
Colorist:
Romain Defoy Rivest
Costume Design:
Laurent Piché
Director:
Laurent Piché
Director of Photography:
Romain Defoy Rivest
Editor:
Laurent Piché
Executive Producer:
Laurent Piché
First Assistant "A" Camera:
Catherine-Audrey Volcy
First Assistant Director:
Briana Legault
Gaffer:
Ryan Machado
Grip:
Julien Cusson
Key Grip:
Ryan Machado
Makeup & Hair:
Annabelle Laganière
Original Music Composer:
Frédérique Le Duc-Moreau
Producer:
Clélia Ngando-Moukouelle
Production Assistant:
Annabelle Laganière
Charles Homsi
Production Design:
Annabelle Marquet
Screenplay:
Catherine-Audrey Volcy
Laurent Piché
Joseph Asselin
Script:
Camilo Mendoza
Yasmina Bouabid
Alix Turri
Second Assistant "A" Camera:
Laurent Piché
Sound Designer:
Shaymaa Kassem
Lambert Livernoche
Laurent Piché
Audrey Savaria
Sound Editor:
Lambert Livernoche
Laurent Piché
Shaymaa Kassem
Sound Engineer:
Lambert Livernoche
Sound Mix Technician:
Serge Fortin
Sound Mixer:
Lambert Livernoche
Third Assistant "A" Camera:
Ryan Machado
Third Assistant Director:
Alix Turri
Visual Effects Editor:
Laurent Piché
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.