A work in constant progress (and occasional regress).
Release Date:
October 3, 2024
Original Title:
Ambrosia
Genres:
Horror
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 18
A father-to-be is trying to protect his young family from a strange entity and three dubious midwives.
Additional Gaffer:
Katie Davies
Art Department Assistant:
Mayar Attia
Noelle Prasse
Assistant Decorator:
Camille Schmitz
Assistant Gaffer:
Ophelia Bauer
Nono Bikovsky
Philipp Seifert
Best Boy Grip:
Alexander Schmutzler
Boom Operator:
Matti Reissig
Ole Jacobs
Andre Stephan
Camera Operator:
Philipp Seifert
Nono Bikovsky
Svea Immel
Catering:
Verena Borawski
Florian Rauch
Florian Schmitt
Norbert Costea
Marius Roth
Clapper Loader:
Lea Frank
Color Grading:
Kevin Kopacka
Martin Peter
Continuity:
Anja Große
Costume Design:
Ürün Sari
Creative Producer:
Ürün Sari
Digital Imaging Technician:
Martin Peter
Director:
Robert Franz
Director of Photography:
Julian Lück
Editor:
Annebel Ugrinsky
Executive Producer:
Ürün Sari
First Assistant Camera:
Eduardo Ramos Monteiro
First Assistant Director:
Kara Riebesel
Gaffer:
Felix Noe
Makeup & Hair:
Zeynab Beyinna
Gina Gabriela Salvato
Music:
Txomin Ayastuy
Ürün Sari
Producer:
Robert Franz
Ürün Sari
Production Design:
Martin Kruspe
Script Consultant:
Dirk Eggers
Set Decoration:
Martin Kruspe
Set Photographer:
Meera Lehr
Set Runner:
Giorgio Perrig
Lucas Choque
Set Supervisor:
Niina Walter
Sound Designer:
Nils Plambeck
Special Effects:
Robert Franz
Pia Marecki
Special Effects Assistant:
Ürün Sari
Special Effects Key Makeup Artist:
Pia Marecki
Special Effects Makeup Artist:
Madou Kotzke
Unit Manager:
Sebastian Hofbauer
VFX Artist:
Robert Franz
Writer:
Ürün Sari
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.