A work in constant progress (and occasional regress).
Release Date:
February 27, 2004
Original Title:
Twisted
Alternate Titles:
Acechada
Amneziya
Blackout
Izmama
Sti skia tou dolofonou
Twisted - hengenvaarallisia suhteita
Genres:
Action | Adventure | Crime | Drama | Thriller
Production Companies:
Blackout Productions Inc.
Harlequin Pictures
Intertainment AG
Kopelson Entertainment
Paramount Pictures
Summit Entertainment
Production Countries:
Germany | United States of America
Ratings / Certifications:
AU: MA15+ BE: 18 DE: 12 ES: 12 FR: TP HU: 16 KR: 15 NL: 16 US: R
Runtime: 97
Recently promoted and transferred to the homicide division, Inspector Jessica Shepard feels pressure to prove herself -- and what better way than by solving San Francisco's latest murder? However, as Shepard and her partner, Mike Delmarco, soon discover, the victim shared a romantic connection to her. As more of Shepard's ex-lovers turn up dead, her mind starts to become unstable, and she begins to wonder if she could be the very killer she's trying to track down.
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ADR Editor:
Sue Fox
ADR Mixer:
Bob Baron
Art Department Assistant:
Cindy Mah
Art Department Coordinator:
Stephanie Cain
Art Direction:
Thomas T. Taylor
Assistant Accountant:
Joshua Loiko
Assistant Camera:
Tim Guffin
Assistant Chief Lighting Technician:
Terry Sullivan
Assistant Director:
David Hakim
Assistant Editor:
Rob Bonz
Assistant Location Manager:
Rowdy Kelley
Assistant Makeup Artist:
Gretchen Davis
Assistant Property Master:
Stephen J. Gardner
Assistant Sound Editor:
Karen Brocco
Associate Producer:
Cherylanne Martin
Boom Operator:
Fred Runner
Camera Operator:
Lou Weinert
Camera Technician:
Steven J. Winslow
Casting:
Denise Chamian
Nancy Hayes
Casting Associate:
Michelle Levitt
Co-Executive Producer:
Bob DeBrino
Co-Producer:
Sherryl Clark
Peter Kaufman
Color Timer:
Chris Regan
Conductor:
Ken Kugler
Construction Coordinator:
Rodney Armanino
Construction Foreman:
Baird Caswell
Costume Design:
Ellen Mirojnick
Costume Supervisor:
Cathleen Edwards
Craft Service:
Sandy Reed
Dialogue Editor:
Marshall Winn
Digital Compositors:
Catherine Tate
Director:
Philip Kaufman
Director of Photography:
Peter Deming
Dolby Consultant:
Gene Radzik
Dolly Grip:
Tim Collins
Driver:
James Nordberg
Editor:
Peter Boyle
Electrician:
Michael Catalano
Executive Assistant:
Elaine Mongeon
Executive In Charge Of Production:
Nan Morales
Executive Producer:
Stephen Joel Brown
Michael Flynn
Robyn Meisinger
First Assistant Accountant:
Daniel E. Parr
First Assistant Camera:
Patrick McArdle
First Assistant Director:
Mike Topoozian
Foley Artist:
Marnie Moore
Foley Editor:
Michael Axinn
Foley Mixer:
Ben Conrad
Foley Recordist:
James Willetts
Gaffer:
Rick A. West
Greensman:
James Burke
Grip:
Joseph J. Allen
Hairstylist:
Beth Miller
Robert L. Stevenson
Key Costumer:
Jennifer Parker
Key Grip:
Dave Childers
Key Hair Stylist:
Candace Neal
Key Rigging Grip:
Duane Robinson
Leadman:
Jim Poynter
Lighting Technician:
Brian Minzlaff
Location Assistant:
Saisie M. Jang
Location Manager:
Rory Enke
Location Production Assistant:
Andrew Flautt
Location Scout:
Peter Moody
Makeup Artist:
Felicity Bowring
Allan A. Apone
Makeup Department Head:
Steven E. Anderson
Makeup Effects:
Ve Neill
Marine Coordinator:
Robert Wong
Music Editor:
Robin Lee
Musician:
George Doering
Orchestrator:
Ken Kugler
Original Music Composer:
Mark Isham
Painter:
Virginia Hopkins
Payroll Accountant:
Kimberly Aguirre
Producer:
Barry Baeres
Anne Kopelson
Arnold Kopelson
Florina Massbaum
Linne Radmin
Production Accountant:
Tim L. Pearson
Production Assistant:
Dustin Jackson
Production Coordinator:
Dhana Gilbert
Production Design:
J. Dennis Washington
Production Executive:
Matthew Gross
Production Sound Mixer:
Nelson Stoll
Property Master:
Erik L. Nelson
Propmaker:
Sean House
Publicist:
Michael Umble
Rigging Gaffer:
Robert E. 'Bobby' Powell
Rigging Grip:
Don L. Henderson
Scenic Artist:
Dale Haugo
Scoring Mixer:
Stephen Krause
Script Supervisor:
Carol DePasquale
Seamstress:
Nancy Foreman
Second Assistant Accountant:
Alexa Song Lindenthaler
Second Assistant Camera:
Anne Lee
Second Assistant Director:
Gregory Kent Simmons
Second Company Grip:
Patrick Figueroa
Second Second Assistant Director:
John M. Morse
Second Unit Director:
Bob Brown
Security:
Jack Driscoll
Set Costumer:
Valerie White
Set Decoration:
Barbara Munch
Set Designer:
Scott Cobb
Set Dresser:
J. Michael Davis
Set Medic:
Mark Bosia
Set Production Assistant:
Brian Dettor
Sound Effects Editor:
Tim Nielsen
Sound Re-Recording Mixer:
Lora Hirschberg
Special Effects Coordinator:
John McLeod
Special Effects Technician:
Dan Crawley
Stand In:
Jennifer Baeseman
Steadicam Operator:
Bob Gorelick
Storyboard Artist:
Roel Robles
Stunt Coordinator:
Bob Brown
Stunt Double:
Lee Whittaker
Jeri Habberstad
Mark Vanselow
Jennifer Caputo
Stunts:
Tim Rigby
Robin Lynn Bonaccorsi
Lisa Dempsey
Kevin Larson
Marty Murray
Thomas M. Ficke
Steven Ritzi
Kiante Elam
Mike Martinez
Rocky Capella
Melissa R. Stubbs
Troy Brown
Supervising Sound Editor:
Frank E. Eulner
Technical Advisor:
Bruce Marovich
Title Designer:
Jay Johnson
Transportation Captain:
Donald Kasich
Transportation Coordinator:
Don Tardino
Unit Production Manager:
Cherylanne Martin
Unit Publicist:
Patricia Story
Utility Stunts:
James Gutierrez
Video Assist Operator:
John Trunk
Visual Effects Coordinator:
Danielle Hazan
Visual Effects Producer:
Julie D'Antoni
Visual Effects Supervisor:
Eric Brevig
Writer:
Sarah Thorp
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.