A work in constant progress (and occasional regress).
Original Title:
Canary Trap
Production Companies:
Mulberry Queens Films
MyBot Works
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 14
Canary delivers packages for secret organization HQ. After accepting her new mission, Canary is connected with a dispatcher who pushes her boundaries. Forced to go against HQ's directives, Canary finds herself questioning everything and everyone around her.
Additional Music:
Erik Elverskog
Art Direction:
Jennifer Lynn Pappalardo
Associate Producer:
Samantha K. Henderson
Colorist:
Emily Bailey
Costume Design:
Rita Mae Sylvester
Director:
Shana Darabie
Director of Photography:
Frankie Turiano
Editor:
Sergei Golubnichiy
Executive Producer:
Tara Galatt
First Assistant Camera:
Grant Olans
First Assistant Director:
Chelsea Courtney
Gaffer:
Ranya Aloui
Grip:
Olivia Tyler
Line Producer:
Eva Minemar
Makeup & Hair:
Rossy Castillo
Maria Matarrese
Carolina Oliva Pedroza
Music:
Marc Schuster
Producer:
Shana Darabie
Traci Law
Production Assistant:
Jessie Mae Christopher
Emily Goldstein
Production Design:
Jennifer Lynn Pappalardo
Script Supervisor:
Maria Castillo
Second Assistant Camera:
Robert Enriquez
Set Dresser:
Melissa Almonor
Katherine Chou
Sound:
Austin Barron
Robyn Huey
Sound Editor:
Ryan Majoris
Still Photographer:
Alexander Polis
Unit Production Manager:
Eva Minemar
Writer:
Shana Darabie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.