A work in constant progress (and occasional regress).
Release Date:
September 29, 2024
Original Title:
The Last Sacrifice
Genres:
Documentary | Horror
Production Companies:
Intermission Film
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 90
The Last Sacrifice delves into the real-life 1945 witchcraft killing of Charles Walton—the terrifying event that inspired The Wicker Man and birthed the folk horror genre. This unsettling true-crime interrogation probes into the eerie, enigmatic cultural undercurrents that shaped 1970's folk horror genre, leaving an indelible mark on cinema and public psyche. The Last Sacrifice uncovers an unflinching portrayal of Britain's profound identity crisis, both during the tumultuous early 1970s and the resurgence of folk horror today, ominously coinciding with yet another national descent into madness. Its conclusion: The Wicker Man is more fact than fiction.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.