A work in constant progress (and occasional regress).
Release Date:
October 3, 2024
Original Title:
The Stand
Genres:
Documentary | History
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 95
Mixing animation with a wealth of archival footage, Chris Auchter’s film explores the 1985 dispute over clearcut logging on Haida Gwaii. On one side are Western Forest Products and Frank Belsen Logging, who plan to engage in clearcut logging on Tllga Kun Gwaayaay (Lyell Island) and are supported by the BC government. On the other side is the Haida Nation, which wishes to protect its lands against further destruction. The confrontation involves court proceedings and a blockade, and Auchter takes us from canny retrospective commentary to the thick of the action.
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Animation:
Christopher Auchter
Tara Barker
Colorist:
Serge Verreault
Director:
Christopher Auchter
Editor:
Sarah Hedar
Executive Producer:
Shirley Vercruysse
Foley Artist:
Karla Baumgardner
Graphic Designer:
Tim Linklater
Line Producer:
Jennifer Roworth
Music Coordinator:
Genevieve Vincent
Music Producer:
Genevieve Vincent
Musician:
Brenda Fedoruk
Dakota Martin
Genevieve Vincent
Holly Bryan
Katherine Watson
Lani Krantz
Nick Anderson
William Loveless VI
Orchestrator:
Danielle Schwob
Original Music Composer:
Genevieve Vincent
Producer:
Shirley Vercruysse
Production Coordinator:
Nathan Conchie
Nicolas Ayerbe Barona
Researcher:
Caroline Coutts
Sound Designer:
Luigi Allemano
Sound Mixer:
Shelley Craig
Story Editor:
Sarah Hedar
Technical Supervisor:
Wes Machnikowski
Lyne Lapointe
Visual Effects:
Russell Heyman
Writer:
Christopher Auchter
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.