A work in constant progress (and occasional regress).
Release Date:
October 28, 2012
Original Title:
Abyss
Genres:
Adventure | Documentary
Production Companies:
Louder Than Eleven
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 47
ABYSS, the latest viral film from Louder Than Eleven, provides an insider’s look at rock climbing development. Exploration of secret, alpine climbing terrain high above Colorado’s Front Range has created a flurry of debate regarding the philosophy, secrecy and ethics of development. Culminating in Ben Spannuth’s FA of one of the world’s highest elevation 5.14s, ABYSS opens the floodgates of passionate debate within the climbing community. The scandal unfolds in this 48-minute piece, featuring such climbing talents as Paige Claassen, Matty Hong, Chris Schulte, Mayan Smith-Gobat, Ben Spannuth, David Wetmore, and Matt Wilder and narrated by Jon Glassberg. Additional commentary from the insightful minds of Peter Beal, Herman Feissner, Joe Kinder, Brady Robinson, Ben Scott, Chris Sharma, John Sherman, and Clark Shelk.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.