A work in constant progress (and occasional regress).
Release Date:
June 19, 1987
Original Title:
Withnail & I
Alternate Titles:
Withnail and I
Withnail and I – Zwei Freunde am Rande des Wahnsinns
Withnail og jeg
회색빛 우정
Genres:
Comedy | Drama
Production Companies:
Cineplex-Odeon Films
Handmade Films
Production Countries:
Canada | United Kingdom
Ratings / Certifications:
AU: MA 15+ GB: 15 NL: 12 PT: M/16 US: R
Runtime: 108
Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.
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Art Direction:
Henry Harris
Assistant Editor:
Bob Mullen
Anne Sopel
Jeremy Strachan
Tony Tromp
Associate Producer:
Lawrence Kirstein
Boom Operator:
Trevor Rutherford
Camera Operator:
Bob Smith
Carpenter:
Alan Chesters
Casting:
Mary Selway
Clapper Loader:
Ian Foster
Co-Producer:
David Wimbury
Costume Design:
Andrea Galer
Director:
Bruce Robinson
Director of Photography:
Peter Hannan
Editor:
Alan Strachan
Electrician:
Perry Evans
Don Maton
Brian Sullivan
Executive Producer:
George Harrison
Denis O'Brien
First Assistant Director:
Peter Kohn
Gaffer:
Reg Parsons
Hairdresser:
Sue Love
Makeup Artist:
Peter Frampton
Original Music Composer:
David Dundas
Rick Wentworth
Painter:
John Roberts
Producer:
Paul M. Heller
Production Coordinator:
Valerie Craig
Production Design:
Michael Pickwoad
Property Master:
Bert Gadsden
Screenplay:
Bruce Robinson
Script Supervisor:
Sally Jones
Second Assistant Director:
Kathy Sykes
Sound Editor:
Alan Paley
Sound Mixer:
Clive Winter
Special Effects Supervisor:
Martin Gutteridge
Still Photographer:
Murray Close
Stunt Double:
Paul Heasman
Bruce Robinson
Unit Production Manager:
Matthew Binns
Unit Publicist:
Joanna Campling
Wardrobe Master:
Shaun Wyldeck-Estrada
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.