A work in constant progress (and occasional regress).
Release Date:
December 31, 2001
Original Title:
Afternoon Song
Ratings / Certifications:
N/A
Runtime: 19
In a world which runs on the steam of individualism, how satisfying can the inner journey be? Does a worldview that looks at a purpose beyond the self, hold currency in a society drained of cultural values and driven solely by market considerations? This is the dilemma that haunts the protagonist. Integral to this experience is the loss of intensity and social integrity that marked the cultural movement of the '70s, particularly after the Emergency. The film aims to capture this existential predicament in its various shades and tones. It is this struggle, perhaps vain, that forms the central theme. And, quite fatalistically, see no logical conclusion. Leaving the protagonist suspended in the grey area between ideals and reality...
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.