A work in constant progress (and occasional regress).
Release Date:
October 11, 1995
Original Title:
A la vie, à la mort !
Alternate Titles:
A la vie, à la mort
Genres:
Comedy | Drama
Production Companies:
Agat Films & Cie / Ex Nihilo
Agence du Cinéma Indépendant pour sa Diffusion (ACID)
CNC
Groupement National des Cinémas de Recherche (GNCR)
Production Countries:
France
Ratings / Certifications:
FR: TP
Runtime: 108
À la vie, à la mort ! (1995) In Estaque, a northern suburb of Marseilles, stuck between oil refinery smokestacks and the Mediterranean sea, a handful of die-hards has taken refuge in a cabaret. There is José, the owner, a big-hearted gypsy who loves cars and women's bodies; Joséfa, his wife, the establishment's stripper despite her advanced years and Marie-Sol who climbs the hill every day to visit Notre-Dame de la Garde and beseech Virgin Mary to give her a child. There is Patrick, her husband who has been unemployed for ages but who is kind despite appearances and their friend Jaco who is having a hard time. His wife and daughters hate him for not keeping up on the mortgage repayments. Last but not least is Papa Carlossa who believes that Franco still rules Spain and fantasizes about bumping him off.
Director:
Robert Guédiguian
Director of Photography:
Bernard Cavalié
Editor:
Bernard Sasia
Makeup Artist:
Mayté Alonso
Producer:
Robert Guédiguian
Production Design:
Michel Vandestien
Sound:
Laurent Lafran
Sound Mixer:
Jean-Yves Rousseau
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.