A work in constant progress (and occasional regress).
Release Date:
January 20, 2024
Original Title:
After Mountains
Alternate Titles:
Ellie and Noah
Genres:
Drama | Family
Production Companies:
Orlando Films
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 19
"After Mountains" is the story of the young Ellie, who meets Noah, another kid of her age, while visiting her sick grandpa at the hospital with her mom. Through a child's eyes, this short will explore the themes of grief, as well as intergenerational conflicts and misunderstanding that can occur while facing a family crisis.
Art Direction:
Larry Flores
Best Boy Electric:
Ivan Garcia
Best Boy Grip:
Richardo Castillo
Sasha Delregato
Andy Calzadilla
Miguel Angel Tamayo
Lance Walker
Casting:
Maria Paula Arboleda
Cinematography:
Wenting Deng Fisher
Colorist:
Larry Flores
Digital Imaging Technician:
Jonathan Quesada
Director:
Julie Peley
Editor:
Julie Peley
Executive Producer:
Lauren Collorone
Julie Peley
First Assistant Camera:
Catherine Mairena
First Assistant Director:
Pablo Velho
Foley Artist:
Rachel Richards
Foley Editor:
Michael Melnik
Foley Mixer:
Larry Flores
Gaffer:
Kevin Fuerte
Key Grip:
Andrew Abel Arrieta
Line Producer:
KiAnna Dorsey
Makeup & Hair:
Aubree Cannon
Musician:
Valentina Shelton
Original Music Composer:
Luis Alacan
Post Production Supervisor:
Julie Peley
Producer:
Dani Orlando
Production Assistant:
Trinity Byonie
Elaina Harris
Mélanie Anderson
Production Design:
Lauren Collorone
Script Supervisor:
Maria Paula Arboleda
Second Assistant Camera:
Amy Sobalvarro
Dongze Li
Second Assistant Director:
Mimi Midori
Racquel Lewis
Set Costumer:
Sara-Rose Bockian
Set Dresser:
Alejandro Avila
Sound Assistant:
Harry Ortiz
Sound Designer:
Benjamin Zuiderweg
Sound Mixer:
Brian Frias
Still Photographer:
Gerald Varela
Third Assistant Camera:
Sam Hinkle
Writer:
Julie Peley
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.