A work in constant progress (and occasional regress).
Release Date:
October 6, 2024
Original Title:
To Close Your Eyes And See Fire
Genres:
Documentary
Production Companies:
Golden Girls Filmproduktion
Ratings / Certifications:
N/A
Runtime: 98
Beirut lies in ruins. After the explosion in the city's port, collective trauma rises to the surface. How can life succeed after such a tragedy? The film carefully observes the following three years and zooms in on the lives of Aya - a Syrian refugee girl, Selim - an activist and painter, the Aladdin family - mourning a tragic loss, Yasmin - picking up calls at a suicide prevention hotline, and Andrea - who still believes in the city's spark for change. Meanwhile, a smoldering fire keeps on lingering in the port’s silos like a cautionary tale. Is it time to leave?
Color Grading:
Bernhard Schlick
Director:
Jakob Carl Sauer
Nicola von Leffern
Director of Photography:
Jakob Carl Sauer
Editor:
Matthias Writze
Music:
HVOB
Post Production Coordinator:
Valentin Renoldner
Producer:
Peter Drossler
Sabine Gruber
Arash T. Riahi
Jakob Carl Sauer
Nicola von Leffern
Production Assistant:
Magdalena Reichinger
Lisa Jabornig
Selina Vancata
Sound:
Nicola von Leffern
Sound Designer:
Karim Weth
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.