A work in constant progress (and occasional regress).
Release Date:
February 5, 2016
Original Title:
Stopped Making Excuses
Genres:
Documentary
Production Companies:
The FADER
Production Countries:
United States of America
Ratings / Certifications:
US: PG-13
Runtime: 12
What follows is a candid look at the Pittsburgh native’s past six years, starting with his ascent, when he was 19, as a popular but critically panned rapper. “I was an easy target. I admit that,” he says now. “It became one of those things where I got so much negativity that it almost became, like, ‘There’s no point to overly hate on this dude, let me look in and see what he’s doing.’ And when you look in, there’s some good music there.” Following his 2011 debut album, Billboard's first independently released No.1 in over a decade, Mac moved to Los Angeles, where it seemed to many he was thriving. That’s where Andrew Nosnitsky met him for Mac Miller's 2013 The FADER cover story, and where he played an endearing role in Earl Sweatshirt’s cover too.
Assistant Editor:
Scott Perry
Christopher Jones
Camera Department Production Assistant:
Zach McGeehan
Camera Production Assistant:
Alexa Carroll
Colorist:
Bryan Smaller
Director:
Rob Semmer
Director of Photography:
Scott Perry
Editor:
Orian Barki
Executive Producer:
Anthony Holland
Jon Cohen
Joseph Patel
Andy Cohn
Rob Stone
Post Producer:
Sam Balaban
Post Production Producer:
Saleh Ramazani
Producer:
Rob Semmer
Production Coordinator:
Madison LaClair
Sound:
Miliken Gardner
Molly Young
Sound Designer:
Eugene Wasserman
Still Photographer:
Ethan Holland
Title Designer:
Kyle Sauer
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.