A work in constant progress (and occasional regress).
Original Title:
Soldier's Keeper
Genres:
Horror
Production Companies:
Big T Productions
Production Countries:
Austria
Ratings / Certifications:
N/A
Runtime: 33
In the near future, following the Last Great War, a lone soldier struggles to find his way back home. He comes across a worn-out inn, where the mysterious inn keeper might not be at all what she appears to be.
ADR Engineer:
Thomas Ouziel
Assistant Director:
Thomas Strini
Best Boy Electric:
Martina Poyer
Florian Erben
Boom Operator:
Tilman Dasbach
Casting Director:
Stanzi Stokes
Color Grading:
Emil Scheichenbauer
Construction Foreman:
Martin Schreiberhuber
Construction Grip:
Günther Gsöllpointner
Armin Winter
Emil Scheichenbauer
Costume Design:
Anna Seitlinger
Director:
Gregor Kreyca
Director of Photography:
Ben M. Heinzl
Dolly Grip:
Fabian Obereder
Driver:
Tom Bernberger
Editor:
Lukas Windberger
Electrician:
Nick Unger
Dave Carey
First Assistant Camera:
Dino Pritz
Philipp Uhl
Gaffer:
Daniel Dajakaj
Grip:
Pipo Fuchs
Key Grip:
Florian Daubeck
Location Manager:
Constantin Grethen
Makeup Artist:
Sara Grujic
Marietta Dang
Makeup Effects:
Nina Borde
Music:
Victor Gangl
Producer:
Thomas Strini
Production Assistant:
Marie-Christin Grethen
Ferdinand Herwei
Christoph Rohner
Production Design:
Clemens Ritschka
Production Manager:
Thomas Strini
Props:
Kerstin Schwarz
Rebekka Grüner
Script Supervisor:
Thaddäus Reich
Second Assistant Camera:
Maximilian Lange
Alex Schneider
Set Dresser:
Vincent Leclaire
Sound Designer:
Tjandra Warsosumarto
Sound Mixer:
Axel Schlögel
Ferdinand Herwei
Still Photographer:
Mateusz Wiglinzki
Thanks:
Erich Maierhofer
Melissa Klemmer
Soli Szabo-Hauer
Visual Effects:
Mario Smid
Mike Schwingl
Visual Effects Design Consultant:
Lukas Fabian
Writer:
Gregor Kreyca
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.