A work in constant progress (and occasional regress).
Release Date:
September 30, 1996
Original Title:
Mother, May I Sleep with Danger?
Alternate Titles:
Sleeping with Danger
Genres:
TV Movie | Thriller
Production Companies:
Columbia TriStar Television
Mandeville Productions
NBC
The Sokolow Company
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 93
Laurel has the boyfriend of her dreams, Kevin. He can and will do anything for her. He is totally devoted to her but the downside is that he won't leave her alone. When she tries to get some distance he responds with aggressiveness. It finally dawns on Laurel that he is not good for her. Laurel's mother Jessica has already started to suspect that something is wrong with his background.
Art Direction:
D.A. Menchions
Camera Operator:
Jorge Montesi
Casting:
Jackie Margey
Meryl O'Loughlin
Costume Design:
Trish Keating
Director:
Jorge Montesi
Director of Photography:
Philip Linzey
Editor:
Pia Di Ciaula
Executive Producer:
Diane Sokolow
First Assistant Director:
John Rainey
Gaffer:
David S. Warner
Hairstylist:
Lana Sharpe
Key Hair Stylist:
Dean Scheck
Key Makeup Artist:
Joann Fowler
Makeup Artist:
Nicky Schillace
Music:
Irwin Fisch
Novel:
Claire R. Jacobs
Producer:
Preston Fischer
Production Design:
Ian D. Thomas
Script Supervisor:
Nancy Eagles
Second Assistant Director:
Kevin Parks
Set Decoration:
Marti Wright
Sound Re-Recording Mixer:
Vince Renaud
Tony Gort
Ken Biehl
Special Effects:
Brock Jolliffe
Special Effects Coordinator:
John C. Hartigan
Gary Paller
Stunt Coordinator:
J.J. Makaro
Stunt Double:
Steve Lucescu
Stunts:
Heath Stevenson
Dave Hospes
Duane Dickinson
Doug Chapman
Teleplay:
Edmond Stevens
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.