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Identification Marks: None (1965) [N/A]

Release Date:
November 18, 1965

Original Title:
Rysopis

Alternate Titles:
Besondere Kennzeichen: Keine
Segni particolari: nessuno
特征：无

Genres:
Drama

Production Companies:
Łódź Film School

Production Countries:
Poland

Ratings / Certifications:
 N/A

Runtime: 71

Overview from TheMovieDB

The footloose ennui of Poland’s postwar generation is captured to perfection in this jazzy chronicle of a draft-dodger’s final day of freedom. A slacker before there was a word for it, Andrzej (played by Skolimowski himself) drifts through a series of open-ended encounters with women following a wake-up argument with his pouting wife, and a long-delayed military physical (the film’s title derives from one of the questions). Skolimowski hoarded four years’ worth of the annual film footage allotment from his Lódz film school in order to create this first feature marked by compositional bravado and a trademark air of the absurd. -Barbara Scharres, Gene Siskel Film Center

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Additional information:

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Performers

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Production

Art Direction:
Jerzy Skolimowski

Assistant Production Manager:
Józef Siwek

Director:
Jerzy Skolimowski

Director of Photography:
Witold Mickiewicz

Editor:
Halina Gronek

Original Music Composer:
Krzysztof Sadowski

Production Manager:
Zbigniew Brejtkopf

Screenplay:
Jerzy Skolimowski

Sound:
Jan Czerwiński

Sound Assistant:
Jerzy Rybicki
Tadeusz Palczynski

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.