A work in constant progress (and occasional regress).
Release Date:
August 16, 2024
Original Title:
Constants & Variables
Genres:
Drama | Family
Ratings / Certifications:
US: NR
Runtime: 15
Only child, Ella constantly daydreams for a happy home life, however with her father always gone for work it feels like something is missing. While also struggling with the transition to middle school, she wonders if her visions of a complete family will always just be fiction.
Art Department Coordinator:
Cora Inez Sheppard
Art Department Manager:
Sid Caldwell
Assistant Camera:
Christian Heiche
Assistant Director:
Abbie Strebe
BTS Footage:
Chris Muth
Best Boy Electric:
Nathan Arnette
Best Boy Grip:
Renn Trani
Boom Operator:
Owen Guiffre
Camera Operator:
Hannah Cantrell
Camera Supervisor:
Bunt Young
Matthew Moniuszko
Costume Designer:
Lillian Sisti
Digital Imaging Technician:
Sachin Nikore
Director:
Amaya Winslow
Director of Photography:
Lucas Hasenfus
Editor:
Ava Jones
Electrician:
Maddy Wade
Ysabella Vega
Remington J. Curren
Executive Producer:
Sheree Chen
Gaffer:
Joseph McKay
Grip:
Nina Rifkin
Noah Sarmiento
Key Grip:
Pete Peterson
Lighting Supervisor:
Eric Wakefield Thompson
Location Manager:
Rachel Christina
Makeup & Hair:
Leilani Curran
Music:
Jene Sequa
Post Production Supervisor:
Amaya Winslow
Producer:
Joshua Arroyo
Production Design:
Alyssa Neal
Props:
Quaree Reid
Scoring Mixer:
Amaya Winslow
Screenplay:
Gigi Jacobsen
Amaya Winslow
Script Supervisor:
Ava Jones
Second Assistant Camera:
Julie Vo
Second Assistant Director:
Jules Shepherd
Set Decoration:
Bri Singleton
Claire Zwadlo
Sound Designer:
Amaya Winslow
Ava Jones
Sound Mix Technician:
Holly Smith
Sound Mixer:
Brock Cooper
Sound Supervisor:
Jake Weeks
Unit Production Manager:
Bryce Pride
Visual Effects Editor:
Lucas Hasenfus
Writer:
Gigi Jacobsen
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.