A work in constant progress (and occasional regress).
Original Title:
The Human Algorithm
Ratings / Certifications:
N/A
Runtime: 24
The Human Algorithm is an immersive fever dream exploring the impact of artificial intelligence on human behavior and cognition. Maximalist in its approach, this work is crafted with generative AI tools, weaving its narrative through text sampling. Contemporary philosophers, scientists, and theorists are digitally replicated as interview subjects, with their voices and likenesses cloned. Narrated by a meta-human avatar, broken fragments of humanity's literary classics are delivered. Serving as a prototype for an immersive video and sound experience, The Human Algorithm confronts the existential threat posed to humanity by the proliferation of AI.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.