A work in constant progress (and occasional regress).
Original Title:
Sunny Afternoon
Genres:
Crime | Drama | Thriller
Production Companies:
FieldFilms
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 12
In this suspenseful and twisted crime/thriller, a young mobster faces a life-altering confrontation with his menacing associate in a New York City jazz club when a seemingly routine payday meeting takes an unexpected turn.
"B" Camera Operator:
Andrew Blackhurst
Assistant Camera:
Sam Nieves
Associate Producer:
Kaylee Johnson
BTS Photographer:
Martin Wanzer
BTS Videographer:
Kendra McGee
Best Boy Grip:
Nathan Wethington
Boom Operator:
Lane Blakley
Casting Director:
Sally Allen
Colorist:
Blake Mendoza
Craft Service:
Luke Yoder
Director:
John Field Brown
Director of Photography:
Kirby Gamel
Editor:
John Field Brown
Executive Producer:
Stephen Brown
Katie Brown
Amado Dehoyos
First Assistant Camera:
Ryan Flores
First Assistant Director:
Taylor Wright
Foley Artist:
Jack Callaghan
Gaffer:
Cade Tindell
Grip:
Cayden Ivey
Key Grip:
Carter Smith
Makeup & Hair:
Hailey Heitmeyer
Musician:
Zack Varner
Tommy Howard
Chris Jones
Terrance McDaniel
Photo Retouching:
Nick Barnes
Producer:
Marie Bargraser
John Field Brown
Production Design:
Halle Dillard
Props:
Laura QuiƱones
Script Supervisor:
Samuel Hamilton
Second Assistant Camera:
Jio Gonzalez
Second Assistant Director:
Tyra Williams
Set Decoration:
Mallory Randolph
Cole McHugh
Slade Allen
Set Production Assistant:
Rheagan Higgins
Sound Designer:
Jack Callaghan
Sound Engineer:
Luke Jamail
Sound Mixer:
Mel Wedige
Special Effects Makeup Artist:
Hailey Heitmeyer
Visual Effects:
Stefan Allen
Wardrobe Supervisor:
Elisabeth Ledoux
Weapons Master:
Laura QuiƱones
Writer:
John Field Brown
Jasper Jones
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.