A work in constant progress (and occasional regress).
Release Date:
April 14, 2014
Original Title:
The Foster Home From Hell: Love Serve Surrender
Genres:
Documentary
Production Companies:
VICE News
Ratings / Certifications:
N/A
Runtime: 30
A VICE News exclusive investigation: Hippie guru Jay Ram was hailed as a public hero for fostering, adopting, and caring for dozens of boys who had nowhere else to go. But years later, a new picture has emerged. Several of his sons have come forward to say that he preyed on them sexually and forced them to recruit other boys to molest. VICE News has uncovered new evidence that shows that charities and child welfare agencies missed several clear warning signs, and continued to place new children in Ram's care. Until now, he has never faced justice.
Art Direction:
Matt Schoen
Assistant Editor:
Arooj Aftab
Assistant Production Manager:
Jaimie Chew
Associate Producer:
Brett Schlesinger
Camera Operator:
Lucian Read
Daniel Addelson
Jared Moossy
Editor:
Jeremy Rocklin
Executive Producer:
Jim Czarnecki
Shane Smith
Suroosh Alvi
Eddy Moretti
Jason Mojica
Graphic Designer:
Dwayne Sealey
Line Producer:
Alec Macrae
Music:
Jingle Punks
Music Supervisor:
Ricki Askin
Post Coordinator:
Lilian Gonzalez
Michael Skinner
Shelly Kamiel
Post Production Assistant:
Eleanor Fye
John Northcraft
Dean White
Post Production Supervisor:
Dee Wassell
Producer:
Andrew Glazer
Production Accountant:
Yajaira Infante
Production Coordinator:
Lily Nguyen
Supervising Producer:
Martina Veltroni
Systems Administrators & Support:
Nicholas Petillo
Technical Advisor:
Drew Diver
Technical Supervisor:
Adriel Rubio
Translator:
Adriana Toma
Travel Coordinator:
Kaitlyn Weber
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.