A work in constant progress (and occasional regress).
Original Title:
Resort Paraiso
Genres:
Science Fiction
Production Companies:
Instituto Mexicano de Cinematografía
Radio Televión de Veracruz (RTV)
Ruleta Films
Rústicas Producciones
Terco Films
Xolo Films
Production Countries:
Mexico
Ratings / Certifications:
N/A
Runtime: 28
Lorenzo works for an omnipresent corporation in a future of dystopian bureaucracy. His employee insurance denies him the medication that would help prevent him from losing his senses. Lorenzo quickly begins to lose contact with the world and in esperation decides to connect to the computer, making his pain cease, but becoming an eternal digital slave.
Art Department Coordinator:
Tihuí Arau
Assistant Camera:
Daniela Pacheco
Eugenio Soto Varona
Assistant Decorator:
Brenda Gómez Becerra
Ali Domínguez
Assistant Director:
Rodolfo Rojano
Assistant Editor:
Edgar Tiburcio
BTS Videographer:
Ricardo Braojos
Andrés Sánchez
Colorist:
Emilio Braojos
Construction Coordinator:
Miguel Millán
Construction Foreman:
Daniel Hernández Miral
Director:
Emilio Braojos
Director of Photography:
Santiago Ruelas
Editor:
Ricardo Braojos
Electrician:
Don Abraham
Focus Puller:
Luis Cruz Tenorio
Gaffer:
Oscar Castellanos
Graphic Designer:
Sebastián Ceja
Lighting Technician:
Gigi Barcelata Quirarte
Luis Veco
Location Manager:
Luis Cruz Tenorio
Makeup Artist:
Amine Maslum
Music:
Mathias Lautz
On Set Dresser:
Zussette Rico
Producer:
Alfredo Álvarez
Production Assistant:
Ricardo Peña
Osmar Colorado
Production Coordinator:
Javier H. Hernandez
Production Design:
Aranza Flores
Miguel Millán
Script Supervisor:
Edgar Tiburcio
Sound:
Joshua Espinoza
Sound Designer:
Mathias Lautz
Unit Production Manager:
Denisse Martel
Wardrobe Coordinator:
Lena García
Writer:
Emilio Braojos
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.