A work in constant progress (and occasional regress).
Original Title:
Don't Touch The Jellyfish
Genres:
Horror | Thriller
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 10
A person tries to recall how they were irradiated but their mind, filled with contrasting memories, cannot distinguish between the interwoven pathways it has created. This forms a confusing and arduous journey within the protagonist's psyche as their body deteriorates and their mind collapses inwards. The film is based around the protagonist, who re-enacts various real life radiation sickness cases that have occurred around the world. The doctor who is treating the protagonist has to come to terms with the destructive nature of radiation, knowing he can do no more.
Animation:
Maha Karim
Boom Operator:
Jos Fotheringham-Bray
Oliver Izzet
Billy Freeman
Camera Operator:
Hannah Davies
Colorist:
Hannah Davies
Costume Design:
Billy Freeman
Director:
Hannah Davies
Billy Freeman
Director of Photography:
Hannah Davies
Driver:
Jos Fotheringham-Bray
Editor:
Hannah Davies
Billy Freeman
First Assistant Camera:
Jos Fotheringham-Bray
Gaffer:
Jos Fotheringham-Bray
Makeup & Hair:
Henry Pole
Makeup Artist:
Hannah Davies
Producer:
Hannah Davies
Billy Freeman
Production Assistant:
Oliver Izzet
Jos Fotheringham-Bray
Chloe Rodway
Henry Pole
Production Design:
Billy Freeman
Script Editor:
Hannah Davies
Second Assistant Camera:
Jos Fotheringham-Bray
Sound Assistant:
Jos Fotheringham-Bray
Sound Design Assistant:
Hannah Davies
Sound Engineer:
Oliver Izzet
Sound Mixer:
Hannah Davies
Billy Freeman
Sound Recordist:
Oliver Izzet
Thanks:
Oliver Izzet
Rosie Gunn
Paul Usher
Mary Novoselova
Writer:
Billy Freeman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.