A work in constant progress (and occasional regress).
Release Date:
August 10, 2024
Original Title:
Take Note
Genres:
Drama
Ratings / Certifications:
N/A
Runtime: 13
Two girls are afraid of what will happen if one of the student’s parents might discover their mutual “crushes,” as they monitor all messages on her phone. Instead, they share written notes in class. After learning this, their teacher Ms. Amado is forced to confront conservative prejudices within the school system by coming out to her entire class.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Associate Producer:
Hannah Barnett
Nia Kelley
Aliyah J. Vasquez
Andrew Wellborn
BTS Photographer:
Clover Guerin
Kennedy Ellis
Boom Operator:
Luke Dupis
Camera Production Assistant:
Isaac Brieding
Casting Director:
Clarke Phillips
Colorist:
Chris Watkins
Creative Producer:
Noelle G. Pineda
Digital Imaging Technician:
Nick Vogels
Director:
Ciera Thompson
Director of Photography:
Alex Glustrom
Editor:
Ellison Winterstein
Executive Producer:
Noelle G. Pineda
Donald Thompson
Michael Valverde
Robin Endres
Katie Mullins
Kacie Lett-Gordon
Sam Bathrick
Fanshen Cox
First Assistant Camera:
Rinny Wilson
First Assistant Director:
Olivia Phillips
Gaffer:
Ronen Schechter
Grip:
Dennis Albert
Alejandro Valdez
Cam Williams
Key Grip:
Landon Malvich
Makeup Artist:
Amber Cochran
Music:
Evan A. Kibiloski
Producer:
Daniel James Isabella
Producer's Assistant:
Ibrahim Sedebeh
Production Designer:
Thomas Day
Second Assistant Camera:
Andrew Wellborn
Sound Designer:
Leo Puffenberger
Ellison Winterstein
Sound Mixer:
Leo Puffenberger
Steadicam Operator:
Jordan Boston Jones
Swing:
Liz Simmons
Writer:
Ciera Thompson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.