A work in constant progress (and occasional regress).
Original Title:
Beyond Ink & Paint: The Women of Animation
Genres:
Documentary
Production Companies:
Armadillo Rose Productions, LLC
Production Countries:
United States of America
Ratings / Certifications:
N/A
This docuseries tells the story of female animation pioneers in both past and present days, looking into the challenges they have faced and the progress they have made while exploring the obstacles that still exist. Highlighting the determination and passion that moved women out of the ink & paint department and into the role of animator and beyond, the docuseries seeks to inspire the next generation of animation storytellers, while questioning the inequality between men and women within the creative workforce of animation.
Director:
Chrissy Guest
Shaina Holmes
Director of Photography:
Kyle Carr
Editor:
Kyle Carr
Producer:
Tracey Miller-Zarneke
Layan Bitar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.