A work in constant progress (and occasional regress).
Original Title:
Ashes to Dust
Genres:
Comedy | Drama
Production Companies:
Bats at a Birthday Picnic Productions
Ratings / Certifications:
N/A
Runtime: 15
Estranged siblings Elizabeth and Danny reunite in their childhood home after the death of their eccentric mother. Without a will or any instructions, old wounds are quickly reopened and disagreements abound. A Ouija board may be the only way for “Mom” to provide the guidance they both desperately seek.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Department Coordinator:
Diane Gaeta
Adam Walton
Catering:
Yvonne Beltran
Colorist:
Bartosz W. Pawlowski
Director:
Clark Childers
Director of Photography:
David Arteaga
Executive Producer:
Ben Ilisun
Liz Rogers
First Assistant Camera:
Dillon Orr
First Assistant Director:
Fatima Anaza
Foley Artist:
Meghan McGuinness
Gaffer:
Paul Dumond
Key Grip:
Isaac Jason Carranza
Original Music Composer:
Greg Laswell
Producer:
Clark Childers
Adam Walton
Production Assistant:
Yaritza Corona
Second Assistant Director:
Susan Kirr
Sound:
Aaron Madrid
Sound Designer:
Howard Karp
Thanks:
Kathryn Childers
Natalie Melendez
Christopher Johnson
Tammy King
Kyle Leathers
Colin Acock
Marfa Museum Thrift Store
Cheshire Cat Antiques
Drew Mayer-Oakes
Karen Walton
Justin Cantrell
El Paso Film Commission
Warren Beatty
Erica Hultsman
William H. Macy
Glyn Winchester
Crissy Keeton
Luke Walton
The Lincoln Hotel Marfa
Elizabeth McDonough
Alpine Humane Society
Sara Holt
Colby Martin
Unit Production Manager:
Erica David
Visual Effects:
Nikolay Chervinskiy
Wigmaker:
Shima Ghasemi
Writer:
Clark Childers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.