A work in constant progress (and occasional regress).
Release Date:
June 27, 2024
Original Title:
Susto de domingo a la hora de la siesta
Genres:
Drama
Production Companies:
Ecam
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 9
A boy wants to complete his collection of scares by scaring his grandfather, but it turns out to be more complicated than he expected.
Art Department Assistant:
Unai Pascual
Víctor Ruberte
Art Department Trainee:
Stephanie Audet
Jimena Barrio
Tomás Barboza
Natalia Aguilera
Art Direction:
Berta Bellido
Assistant Camera:
Pablo de Aguilar
Assistant Editor:
Alejandro Quiles
Boom Operator:
Marcos Cabrera
Camera Operator:
Juan Manuel Marín
Data Management Technician:
Marta Ortiz Pérez
Director:
Manuel Bernal
Director of Photography:
Juan Manuel Marín
Editor:
Pablo Ortega
First Assistant Director:
Varo López
Gaffer:
Enrico Bárbaro Jr.
Grip:
Marta Ortiz Pérez
Head of Production:
Marta Grimaldi
Lighting Technician:
Mariana de la Cruz
María Elisa Aulí
Alberto Akach
Tristán Bello
Makeup & Hair:
Cristina Moreno
Patricia Muñoz
Mixing Engineer:
Youngmin Park
Producer:
Ainhoa Cabrera
Production Assistant:
Gonzalo Carvajal
Production Intern:
Clara Baena
Iker Bravo
Iván Aceituno
Props:
Víctor Ruberte
Script Supervisor:
Cristian Tormo Navarro
Second Assistant Camera:
Talía Ayllón
Second Assistant Director:
Alfonso Bernal
Sound Director:
Youngmin Park
Sound Editor:
Youngmin Park
Sound Recordist:
Youngmin Park
Still Photographer:
Jorge Aliende
Video Assist Operator:
Tomás Blanco Benítez
Wardrobe Designer:
Josep Rosell
Writer:
José Antonio Jiménez Calvo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.