A work in constant progress (and occasional regress).
Original Title:
Preludio de medianoche
Genres:
Drama
Production Companies:
Ecam
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 9
A violinist rehearses for the next day's important performance, but it's too late in the night. A strange caretaker comes and throws him out of the auditorium.
Art Department Assistant:
Iván Plaza
Art Department Trainee:
Diego Collado
Carmen Espárrago
Art Direction:
Irene Atarés
Assistant Camera:
Alexandre Rúas
Assistant Editor:
Miguel Mesa
Boom Operator:
Angelina Foglio
Youngmin Park
Marcos García Ferrer
Camera Operator:
Enrico Bárbaro Jr.
Cinematography:
Enrico Bárbaro Jr.
Data Management Technician:
Talía Ayllón
Director:
Alfonso Bernal
Editor:
Marcos BY
First Assistant Director:
Varo López
Grip:
Talía Ayllón
Head of Production:
Olivia Munuera
Lighting Director:
Gonzalo Fernández Fernández
Lighting Technician:
Alejandro de la Torre
Pablo de la Iglesia
Manuel de la Esperanza
Martina del Río
Mercedes Colado
Anna Bronchal
Juanma Marín
Makeup & Hair:
Lucía Torres Armero
Makeup & Hair Assistant:
Carmen Espárrago
Producer:
Gonzalo Carvajal
Production Assistant:
Ainhoa Cabrera
Alejandro Villaplana
Marta Grimaldi
Gonzalo Casado
Production Trainee:
Federico de Juan Montoya
Javier Carpi
Esteban Calvo
Renzo Bill
Manex Buitrago
Props:
Nicolás Plasencia
Script Supervisor:
Pablo Ortega
Second Assistant Camera:
Pablo de Aguilar
Second Assistant Director:
Manuel Bernal
Sound Director:
Dikshita González
Sound Recordist:
Dikshita González
Still Photographer:
Iván Plaza
Berta Bellido
Marina Oliveros Verdejo
Video Assist Operator:
David de las Heras
Manuel de Sobrón
Wardrobe Assistant:
Marta Galiacho
Wardrobe Designer:
Lucía Ortega
Writer:
Lucía Angulo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.