A work in constant progress (and occasional regress).
Release Date:
June 29, 2024
Original Title:
The Secrets We Keep
Genres:
Crime | Thriller
Ratings / Certifications:
N/A
Runtime: 86
The line blurs between investigator and prey as a podcaster is forced to confront chilling consequences inside a dark abyss or risk losing everything.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Associate Producer:
Jessie Chen
BTS Videographer:
Polly Ketcham
Best Boy Grip:
Patrick Medley
Boom Operator:
Anthony Gabriele
Ryan Davies
Casting Associate:
Paula Baisden
Stephen Lemieux
Casting Director:
Rene Olmos
Continuity:
Victoria Allman
Digital Imaging Technician:
Duane Miller
Director:
Brady Jacquin
Director of Photography:
Rene Olmos
Dolly Grip:
Jay Shackleford
Editor:
Duane Miller
Electrician:
Jay Shackleford
Executive Producer:
Stephen Lemieux
Rene Olmos
First Assistant Camera:
Anthony Gabriele
Christian Nieves
First Assistant Director:
Forest Chilton
Gaffer:
Stephen Lemieux
Grip:
Polly Ketcham
Justin Oakley
Key Grip:
Jay Shackleford
Lead Editor:
Rene Olmos
Line Producer:
Paula Baisden
Makeup Artist:
Victoria Chandler
Producer:
Marcus Adair
Production Assistant:
Victoria Chandler
Polly Ketcham
Production Designer:
Paula Baisden
Screenplay:
Paula Baisden
Clark Schmutz
Script Supervisor:
Alice Armstrong
Paula Baisden
Second Assistant Camera:
Patrick Medley
Bray Jacobs
Second Assistant Director:
Paula Baisden
Second Unit Director:
Paula Baisden
Set Decoration:
Jessica Davis
Sound Mixer:
Matthew Senter
Still Photographer:
Debbie Vu
Transportation Coordinator:
Duane Miller
Unit Production Manager:
Paula Baisden
Wardrobe Supervisor:
Paula Baisden
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.