A work in constant progress (and occasional regress).
Release Date:
June 27, 2020
Original Title:
ghosts of cambie
Ratings / Certifications:
N/A
Runtime: 3
ghosts of cambie blends visual music, collage and documentary. It focuses on the neighbourhoods of South Cambie and Fairview that lie on the unceded, traditional, ancestral territories of the Skwxwú7mesh (Squamish), Stó:lo and S.’lílw.taʔ/ Selilwitulh (Tsleil-Waututh) and xwm.θkw.y’.m (Musqueam) Nations (known by some as Vancouver, BC, Canada). Shot on 16mm colour reversal film and cut with archival found footage, the film explores the emotional friction within a neighbourhood of changing communities, shopkeepers, settlers and lives. While Hong Kong migrants in the 1980s were a major force in shaping the architectural and cultural landscape of the community, evidence of these lives are disappearing due to rapid gentrification and erasure of history. Remnants are left behind.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.