A work in constant progress (and occasional regress).
Release Date:
November 15, 1973
Original Title:
Sette ore di violenza per una soluzione imprevista
Alternate Titles:
7 Heures de violence pour un karatéka
7 Horas de Violência
7 Hours of Violence
7 ores vias
Een schietgebed voor kung fu duivels
L'exécuteur sauvage
Sept Heures de violence pour un karatéka
Sette ore di violenza per una soluzione imprevista
Violence connection
un homme appelé Karaté
Genres:
Action | Crime | Thriller
Production Companies:
Dania Film
Galassia Film
Production Countries:
Italy
Ratings / Certifications:
FR: 12
Runtime: 93
A former hitman is blackmailed into doing one more job. But the hit doesn't go as planned and he winds up with the police and a gang of Chinese hitmen hunting him down. A beautiful young woman helps to hide him until he can figure out a way to elude his pursuers.
Art Direction:
Giacomo Caló Carducci
Assistant Director:
Angelo Vicari
Camera Operator:
Piero Servo
Costume Design:
Dafne Ciarrocchi
Director:
Michele Massimo Tarantini
Director of Photography:
Federico Zanni
Editor:
Antonietta Zita
Executive Producer:
Lamberto Palmieri
Gaffer:
Roberto Belli
Hairstylist:
Iolanda Angelucci
Makeup Artist:
Pietro Tenoglio
Music:
Alessandro Alessandroni
Producer:
Furio Rocchi
Vittorio Galiano
Luciano Martino
Marcello Romeo
Production Secretary:
Giuseppe Bruno Bossio
Script Supervisor:
Almuth Brandes Pizzo
Sound Editor:
Armando Bondani
Vittorio Massi
Sound Effects Editor:
Aldo Ciorba
Sergio Basili
Sound Re-Recording Mixer:
Bruno Moreal
Still Photographer:
Roberto Carnevali
Antonio Benetti
Writer:
Giorgio Capitani
Paolo Levi
Sauro Scavolini
Lucio Chiavarelli
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.