A work in constant progress (and occasional regress).
Release Date:
June 26, 2024
Original Title:
Un día por Málaga
Genres:
Documentary | Drama | History | Science Fiction
Production Companies:
SchoolTraining
Production Countries:
Spain
Ratings / Certifications:
N/A
Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.
Art Department Assistant:
Paula Coronado
Elisenda Calpe
Art Direction:
Lucas Molina
Camera Operator:
Claudia Quirós
Camera Technician:
Nadine Barrionuevo
Compositor:
Iván Cabello
Costume Design:
Karem Muñoz
Andrea Pérez
Data Wrangler:
Lola Galván
Director:
Álvaro Campoy
Director of Photography:
Juan González
Editor:
Eduardo Maza
Editorial Consultant:
Javier Lara
Editorial Coordinator:
Julio Sánchez
First Assistant Camera:
Alex Cáceres
First Assistant Director:
Mario Robledo
Gaffer:
Alex Navarro
Graphic Designer:
Mila Barriga
Idea:
Álvaro Campoy
Zaida Serrano
Lighting Technician:
Fátima Ruiz
Makeup Artist:
Rena Rosado
Producer:
Álvaro Campoy
Javier Becerril
Producer's Assistant:
Rous Santiago
Carmen Mañoso
Second Assistant Camera:
Sol BR
Sound:
Itziar Juaristi
Sound Assistant:
Melissa Bañol
Sound Editor:
Karem Muñoz
Sound Recordist:
Agustín Hermosilla
Lola Aranda
Video Assist Operator:
Linda Meriel
Visual Effects Designer:
Mila Barriga
Writer:
Álvaro Campoy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.