A work in constant progress (and occasional regress).
Release Date:
March 12, 2000
Original Title:
Hero of the Hour
Genres:
Drama
Production Companies:
ITV
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 120
A security guard foils an armed robbery and becomes a national hero, but his new-found fame cannot appease his guilty conscience.
Art Direction:
Neil Pollard
Assistant Editor:
Paul Bingley-Hall
Assistant Production Coordinator:
Anne Ferraris
Associate Producer:
Lesley McNeil
Best Boy Electric:
Dan Fontaine
Boom Operator:
Robin Day
Camera Operator:
Martin Stephens
Andrew Speller
Casting Director:
Sharon Levinson
Clapper Loader:
Susan Jacobson
Continuity:
Lesley Cross
Costumer:
Nicholas Roche-Gordon
Jacki Thomas
Dialogue Editor:
Peter Bond
Director:
David Richards
Director of Photography:
David Higgs
Editor:
Nick McPhee
Executive Producer:
Jo Wright
Laura Mackie
First Assistant Director:
Kevin Westley
Focus Puller:
Nic Lawson
Gaffer:
Stuart Hadley
Grip:
Steve Pugh
Location Manager:
Tom Elgood
Makeup Artist:
Linda Tully
Makeup Designer:
Vanessa Johnson
Original Music Composer:
John Lunn
Post Production Supervisor:
Jane Coombes
Producer:
Joshua St Johnston
Production Accountant:
David Irving
Production Coordinator:
Joan Schneider
Production Design:
Phil Roberson
Production Executive:
Chris Le Grys
Property Master:
Mario Bueno
Script Editor:
Sally Stokes
Second Assistant Director:
Toby Ford
Sound:
Simon Clark
Sound Editor:
John Downer
Sarah Morton
Sound Mixer:
Ian Tapp
Special Effects Supervisor:
Ken Lailey
Standby Art Director:
Paul Booth
Stunt Coordinator:
Nick Powell
Third Assistant Director:
Jane Burgess
Unit Manager:
Ross Kirkman
Visual Effects Supervisor:
Rob Rawlinson
Wardrobe Master:
Suzy Freeman
Writer:
Bill Gallagher
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.