A work in constant progress (and occasional regress).
Release Date:
March 20, 1997
Original Title:
Real Life, Music, Television: A Trilogy
Genres:
Music
Ratings / Certifications:
N/A
Runtime: 15
Real Life, Music, Television is a trilogy of music videos which examine the hyper-self-consciousness of adolescents. The images from "Performance" are derived from found footage of an 8th grade talent show and are combined with a list of gender-specific transformative sexual memories from the age of 4-18. "Ladies, There's a Space You Can't Go" is a deconstruction and a distortion of an episode of Sally Jesse Raphael titled "My Daughter Dresses Like A Hooker." "Talent Show" is derived from the same found footage as "Performance." The young boys lip-synch to a bubble gum rock song as they attempt to publicly assert their new-found sexual power.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.