A work in constant progress (and occasional regress).
Release Date:
August 24, 2024
Original Title:
Nostalgia de un Corazón (Aún) Vivo
Alternate Titles:
Nostalgia of a (Still) Alive Heart
Genres:
Adventure | Drama | Fantasy
Production Companies:
Trikon Productions
Production Countries:
Mexico
Ratings / Certifications:
MX: C
Runtime: 28
On the wake of tragedy, two siblings must navigate through a three-day odyssey across the desert towards the nearest city.
Actor's Assistant:
Gabriela Ainza
Animation:
Gabriela Fernanda Orozco
Lenoble Theo Tonatiu
Art Department Assistant:
Clarissa Torres
Emilio Martínez
Raúl Bujanda
Jose Manuel Cruz
Art Direction:
Maria José Villalobos
Andrés Paz
Assistant Camera:
Rebeca Becerra Cusi
Abraham García
Assistant Director:
Alan Mojica
Associate Producer:
Pelayo Couturier
Juan Miguel Florez
Boom Operator:
Fernando Hurtado
Colorist:
Stephen Derluguian
Director:
Diego Gaxiola
Director of Photography:
Francisco Yañez
Editor:
Natalia Gaxiola
Lena Fajardo
Executive Producer:
Santiago Cervantes
Miguel Gonzalez
Esteban Gonzalez
Foley Artist:
Samantha Fong
Hiram Villegas
Gaffer:
Miguel Alcántar
Graphic Designer:
Israel Hernandez
Grip Production Assistant:
Alan Alcántar
Octavio Corral
Jose Cons
Key Grip:
Julian Molina
Line Producer:
Oliver Rendon
Camila Wendlandt
Location Scout:
Ricky Schwarzbech
Makeup Artist:
Giselle Terán
Music:
Juan Pablo Villa
diles que no me maten
Ignacio Ferrarazzo
Grupo Tropical Los Gorriones
Producer:
Diego Gaxiola
Santiago Cervantes
Miguel Gonzalez
Production Assistant:
Mike Pereyda
Michelle Forrer
Ximena Yañez Wendlandt
Raquel Galindo
Jose Luis Morales
Production Design:
Maria José Villalobos
Production Manager:
Jorge Lebrun
Script Consultant:
Ricardo del Angel
Script Supervisor:
Maria Pavlovich
Second Assistant Art Director:
Maria Gama
Sound Designer:
Joel Argüelles
Sound Editor:
Marco Lopez
Sound Recordist:
Alan Yañez
Wardrobe Master:
Giselle Terán
Writer:
Diego Gaxiola
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.