A work in constant progress (and occasional regress).
Release Date:
May 31, 2024
Original Title:
That's Gonna Leave a Mark
Genres:
Comedy
Ratings / Certifications:
US: PG-13
Runtime: 28
When visiting his hometown to try and get back on his feet, a recently fired and overly competitive insurance agent joins his sister’s club basketball team to help them beat their rivals.
Assistant Camera:
Caitlin Lebakkan
Rowan Taylor-Laska
Xavier Jordan
Carson Holleb
Assistant Director:
Alyssa Cervantes
Abby Brannon
Reese Paulson
Matteen Saremi
Assistant Editor:
Haley Aldinger
Addyson Popenhagen
Rowan Taylor-Laska
BTS Photographer:
Lauren O'Brien
Jack Gould
Boom Operator:
Malakye Tsosie
Said Cisneros-Toledo
Casting Director:
Ayla Perez
Colorist:
Caitlin Lebakkan
Sage Hammer
Carson Holleb
Costume Design:
Kaitlyn Sanchez
Stella Birrenkott
Haley Aldinger
Craft Service:
Ayla Perez
Creator:
Katie Ray
Lily Boles
Digital Imaging Technician:
Alan Erives
Xavier Jordan
Director:
Savannah Brassell
Addyson Popenhagen
Rowan Taylor-Laska
Director of Photography:
Carson Holleb
Sage Hammer
Caitlin Lebakkan
Editor:
Abby Brannon
Alan Erives
Reese Paulson
Executive Producer:
Eric Jewett
Sidney Reed
Gaffer:
Leonardo Gomez
Grip:
Hunter Sands
Cadence Marsolek
Addyson Popenhagen
Savannah Brassell
Key Grip:
Sage Hammer
Hunter Sands
Location Scout:
Alyssa Cervantes
Location Sound Mixer:
Said Cisneros-Toledo
Malakye Tsosie
Makeup Artist:
Savannah Brassell
Production Design:
Haley Aldinger
Props:
Serena Wendell
Script Supervisor:
Stella Birrenkott
Alyssa Cervantes
Kaitlyn Sanchez
Set Dresser:
Haley Aldinger
Sound Designer:
Leonardo Gomez
Alyssa Cervantes
Said Cisneros-Toledo
Stunt Coordinator:
Alan Erives
Unit Production Manager:
Matteen Saremi
Web Designer:
Xavier Jordan
Writer:
Katie Ray
Lily Boles
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.