A work in constant progress (and occasional regress).
Release Date:
June 12, 2024
Original Title:
Nowhere Near
Genres:
Drama
Production Companies:
Arts University Bournemouth (AUB)
Bournemouth Film School
CILECT
ScreenSkills
Production Countries:
United Kingdom
Ratings / Certifications:
GB: PG
Runtime: 6
An experimental, non-narrative film exploring intimacy and the tension in a relationship between two people as they balance being physically removed and seeking contact, and how this intensifies the emotions they share. The film is exhibited through the lens of four different emotions: love, fear, joy and sadness. These are presented at face value without much explanation. The main focus is on their outward physical expression, both independently, and about one another, without the film having a clear temporal structure, rather presenting this relationship in a single instant and all at once.
Art Department Assistant:
Ash Adebayo
Art Direction:
Mathias Robbins
Best Boy Electrician:
Madison Mardell
Camera Intern:
Emanuela Rocchi
Camera Operator:
Miguel Esteves
Co-Producer:
Gergely Rakolcza
Color Grading:
John McGuire
Digital Imaging Technician:
Will Mackenzie
Director:
Ryder Pomerleau
Director of Photography:
Cosmo Gamaggio
Editor:
Will Mackenzie
Josh Mattinson
Editorial Staff:
Leszek Cygan
Electrician:
Holly Hardaker
Lauren Manning
First Assistant Camera:
Ty Hargrave
First Assistant Director:
Tomakay Percival
Gaffer:
Kyle Osborne
Grip:
Daisy Baylis
Location Sound Recordist:
Louis Chiffe
Makeup & Hair Assistant:
Connie Blanchard
Makeup Designer:
Emily Thundow
Musician:
Otto Frohmader
Producer:
George Clarke
Production Designer:
Erin Brodrick
Second Assistant Camera:
Grace Phillips
Sound Mixer:
Otto Frohmader
Writer:
Ryder Pomerleau
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.