A work in constant progress (and occasional regress).
Release Date:
July 11, 2024
Original Title:
Deaf, Profoundly
Genres:
Drama
Production Companies:
Bournemouth Film School
Ratings / Certifications:
N/A
Runtime: 16
An intimate exploration of a fractured and strained relationship between a young adult and his profoundly deaf mother. Following a crucial few days in Oscar's life the audience are invited to hold his hand as he begins to learn how to talk about his feelings, by unearthing the deaf experience.
Art Direction:
Maddy Rabey
Assistant Director:
Keeley Jones
Tomakay Percival
Evelyn Norman-Rogers
Assistant Editor:
Shrijit Pillai
Harry Cotton
Best Boy Lighting Technician:
Daniel Money-Kyrle
Camera Operator:
Josh Glatz
Camera Trainee:
Holly Hardaker
Colorist:
Eddie Mould
Costume Assistant:
Alice Drury
Lucy Derheimer Apple
Costume Designer:
Isobel Kantaris
Costume Standby:
Anna Malone
Data Management Technician:
Shrijit Pillai
Director:
Calvin Lupton
Director of Photography:
Amy Cox
Editor:
Eddie Mould
First Assistant Camera:
Mia Patterson
Gaffer:
Sarah Gant
Grip:
Jack Knight
Lighting Production Assistant:
Lauren Manning
Makeup & Hair Assistant:
Harriet Quested
Makeup Department Head:
Ellen Moore
Music:
Phoebe Wilkinson
Producer:
Freya Newland
Keira Billington
Production Design:
Madi Popal
Script Supervisor:
Eddie Mould
Second Assistant Camera:
Abi Jones
Sound Assistant:
Lauren Black
Sound Designer:
Luke Meaney
Sound Recordist:
Jay Deegan
Still Photographer:
Samantha Davis
Alex Fletcher
Lola Tyler
Writer:
Calvin Lupton
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.