A work in constant progress (and occasional regress).
Release Date:
July 1, 2024
Original Title:
Faltered Imperception
Genres:
Thriller
Production Companies:
Vancouver Film School
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 4
Waking up hungover with no memory of last night, Chris and Jane find themselves locked in a grungy concrete basement. The old friends bicker while searching for a way out, and after Chris's headache worsens Jane offers him a painkiller from her bag, When the pill Chris ingests takes effect, his whole perspective shifts as he discovers that he is actually being filmed on a set. Jane panics as she realizes she gave Chris the wrong pill bottle from her bag, unintentionally freeing his mind. In a last-ditch effort to keep up the facade, she pulls a key out of her pocket and unlocks the door, calling to Chris to come back to the scenario she has concocted. Chris ignores her as he scans the room and his eyes land on the terrified crew filming him.
Art Direction:
Pablo Khan
Assistant Art Director:
Taylor Stezinar
Camera Operator:
Azul Widnicky
Carpenter:
Ben Huszar
Alex Luit
Azul Widnicky
Manav Shah
Kyara Wisastro
Sebastian Monge
Construction Coordinator:
Sam Jasmine Huang
Director:
Sam Huggins
Director of Photography:
Pablo Khan
Editor:
Manav Shah
Electrician:
Hervin Escalante
AgustÃn Silva Ocampo
Julia Weir
First Assistant "A" Camera:
Sam Jasmine Huang
First Assistant Director:
Kyara Wisastro
Gaffer:
Jia Shen
Key Grip:
Ben Huszar
Paint Coordinator:
Jia Shen
Producer:
Manav Shah
Production Assistant:
Dushyanta Kawdikar
Ato Ngamluksameekhae
Production Designer:
Sam Huggins
Script Supervisor:
Alex J Luit
Second Assistant "A" Camera:
Andressa Carraro
Stephanie Wang
Set Decoration:
Carlos Sanchez
Sound Assistant:
Charlie Lemay-Thivierge
Cameron Bodkin
Sound Mixer:
Osmar Wong
Writer:
Sam Huggins
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.