A work in constant progress (and occasional regress).
Release Date:
October 8, 2025
Original Title:
C'était mieux demain
Genres:
Comedy
Production Companies:
Les Films du 24
UGC
uMedia
Production Countries:
France
Ratings / Certifications:
N/A
In 1950s France, Helene and Michel lead a simple life until a freak accident in 2025 leads to Helene becoming a bank executive and Michel struggling with unemployment and depression. Their children grow up in a technology-dominated world.
Assistant Costume Designer:
Lise Lejeune
Co-Producer:
Cloé Garbay
Laurent Jacobs
Bastien Sirodot
Color Assistant:
Aurélien Motard
Colorist:
Natacha Louis
Construction Manager:
Ruben Hermans
Costume Assistant:
Adèle Gaboreau
Costume Design:
Frédérique Leroy
Costume Supervisor:
Audrey Wilmotte
Digital Imaging Technician:
Benjamin Dewalque
Director:
Vinciane Millereau
Director of Photography:
Philippe Guibert
Electrician:
Maël Fertin-Jung
First Assistant Art Direction:
Juliette Fassin
First Assistant Camera:
Benoit Delporto
First Assistant Director:
Manu Kamanda
Foley Artist:
Vincent Maloumian
Gaffer:
Gunther Schockaert
Graphic Designer:
Emilie Debus
Greensman:
Clément de Reusme
Key Grip:
Réginald Desy
Key Makeup Artist:
Rachel Beeckmans
Location Assistant:
Romane Warginaire
Location Scout:
Isabelle Lits
Makeup Artist:
Alice Duriau
Maelle Duterme
Original Music Composer:
Romain Trouillet
Post Production Supervisor:
Abraham Goldblat
Producer:
Olivier Kahn
Production Assistant:
Nancy Bauret
Production Coordinator:
Coline Hieronimus
Thomas Romainville
Production Manager:
Sophie Casse
Screenplay:
Vinciane Millereau
Julien Lambroschini
Script Supervisor:
Sandrine Bourgoin
Second Assistant Camera:
Cyprien Rigaud
Second Assistant Director:
Charlotte Cristin
Set Costumer:
Angele Zidi
Set Dresser:
Anne Humblet
Steadicam Operator:
Matthieu Fabbri
Storyboard Artist:
Pascal Degrune
Supervising Sound Editor:
Sébastien Marquilly
Third Assistant Director:
Juliette Talabard
Visual Effects Producer:
Michel Denis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.