A work in constant progress (and occasional regress).
Release Date:
September 21, 2024
Original Title:
Popper
Genres:
Drama | Horror
Production Companies:
Edinburgh Napier University
FlowerPunk Films
Screen Academy Scotland
Ratings / Certifications:
N/A
Runtime: 14
In 1959, a new wonderdrug - Tesoteramide - is ready for testing, promising beauty to the unborn daughters of any woman who takes it. Pregnant housewife Audre heads straight to the clinic with her ecstatic Mother to sign up. But when Audre voices some last-minute doubts, it becomes clear that Tesoteramide - and so-called eternal beauty is no longer optional. Can she escape and maintain her individuality? Or is the cult of beauty standard conformity too powerful?
Art Department Assistant:
Neave Scott
Zoe Brown
Max Glover
Riona Stewart
Jack-Murray Birrell
Alex Caldow
Jenny Morrison
Assistant Camera:
Nicolas Goldstraw
Assistant Makeup Artist:
Kiera Mckay
Daisy Paton
Boom Operator:
Logan Eason
Camera Operator:
Paul Morgan
A. M. Wells
Cinematography:
Antonio Pozojevic
Costume Assistant:
Zofia Klim
Ella Williams
Faye Grant
Costume Design:
Holly Firkins
Director:
Bonnie Sanderson
Editor:
Alyssa Calder
First Assistant Camera:
Heather Wilson
First Assistant Director:
Heath Virgoe
Foley Artist:
Juno Glover
Gaffer:
Euan Farmer
Alex Roberts
Graphic Designer:
Tiree Taylor
Grip:
Paul Morgan
Makeup Artist:
Maude Smart
Music:
Philly Holmes
Producer:
Niamh West
Production Assistant:
Luke Stewart
Production Design:
Juno Glover
Script Supervisor:
Paula Sosa MartÃn
Second Assistant Camera:
Robyn Thomson
Second Unit Cinematographer:
Jacob Gandy
Set Decoration:
Portlande Sanderson
Robbie Sanderson
Juno Glover
Bonnie Sanderson
Sound Designer:
Rowen Henderson
Sound Mixer:
Rowen Henderson
Still Photographer:
Kerry McLaughlin
Writer:
Bonnie Sanderson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.