A work in constant progress (and occasional regress).
Original Title:
End of the Line
Genres:
Drama | Mystery | Science Fiction | Thriller
Production Companies:
The Manchester Film School
Ratings / Certifications:
N/A
Runtime: 16
End of the Line is an anthology of three short films (The Brief Case of Maya Moon, The Red Widow, and The Extraordinary Experience of Dick Shatner), all of which take place on one reality defying steam train.
Boom Operator:
Mads Bennett
Camera Operator:
Callan Halliwell
Casting Director:
Emily Berry
Colorist:
Alfie Appleby
Costume Consultant:
Frances Bowers
Digital Imaging Technician:
Elizabeth Durbin
Director:
Leif Clayton
George Simper
Annie Bowers
Director of Photography:
AJ Scott
Editor:
Alfie Appleby
Executive Producer:
Peter Waiting
First Assistant Camera:
Marlie Mittler
First Assistant Director:
Owen Buxton
Floor Runner:
Caitlin Woodend
Wiktoria Skrzypaszek
Adam Cierlicki
Gaffer:
Ginny Freeman
Grip:
Fergus Henderson
Lighting Technician:
Elliot Morris
Makeup Artist:
Roanna Holdsworth
Tyler Duff
Laila Austin Ratcliffe
Music:
Lucy McQuillan
Producer:
Gabriel Taylor-Wrigley
Production Designer:
Annie Bowers
Props:
Katie Brown
Script Supervisor:
Arbaaz Javed
Second Assistant Camera:
Taran Field
Set Decoration:
Sophie Smith
Danielle Johnson
Sound Designer:
Zac Cardwell
Sound Mixer:
Ben Beckford
Stand In:
AJ Scott
Ginny Freeman
Wiktoria Skrzypaszek
Third Assistant Director:
Emily Berry
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.