A work in constant progress (and occasional regress).
Release Date:
February 20, 2013
Original Title:
Syngué Sabour - Pierre de patience
Alternate Titles:
Come pietra paziente
Ev'en ha'sovlanout
I petra tis ypomonis
Kamien cierpliwosci
Sabır Taşı
Sang-e saboor
Synghe Sabour
Tålamodets sten
سنگ صبور
Genres:
Drama | War
Production Companies:
ARTE France Cinéma
Razor Film Produktion
Studio 37
The Film
Production Countries:
Afghanistan | France | Germany | United Kingdom
Ratings / Certifications:
BR: 14 DE: 12 GR: Κ-15 US: R
Runtime: 102
In a war-ridden country, a woman watches over her husband, comatose from a bullet in the neck and abandoned by Jihad companions and brothers. One day, the woman decides to say things to him she could never have done before.
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Art Direction:
Delphine De Casanove
Associate Producer:
Lauraine Heftler
Verona Meier
Boom Operator:
Anas Hamouch
Sajjad Motamedzadeh
Co-Producer:
Rémi Burah
Gerhard Meixner
Roman Paul
Costume Design:
Malek Jahan Khazai
Director:
Atiq Rahimi
Director of Photography:
Thierry Arbogast
Editor:
Hervé de Luze
Executive Producer:
Bénédicte Bellocq
Hani Farsi
Line Producer:
Philippe Gautier
Novel:
Atiq Rahimi
Original Music Composer:
Max Richter
Producer:
Frédérique Dumas-Zajdela
Michaël Gentile
Production Design:
Erwin Prib
Screenplay:
Jean-Claude Carrière
Atiq Rahimi
Sound:
Dana Farzanehpour
Sound Designer:
Noemi Hampel
Sound Editor:
Xavier Prat
Sound Mixer:
Faraz Mesgari Abbasi
Sound Re-Recording Mixer:
Lars Ginzel
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.